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UNLEARNING, RELEARNING, TRANSFORMING EDUCATION An Interactive Art Exhibition I149F, near Tim Hortons on Main Street 4:00pm - 6:00pm Exhibition Schedule Getting to the Space & Parking Save the event to your calendar! Questions? Contact Us! ABOUT THE EXHIBIT: We, 36 MRU Teacher Candidates, dramaturg Kodie Rollan, assistant professor Kristen Schaffer and research assistant Daniela Quintero warmly invite you to experience Unlearning, Relearning, and Transforming—an interactive art exhibition showcasing what students have learned from EDUC2200D: Enacting Anti-Oppressive Education. What does “unlearning” mean to you? Quotes “Unlearning is hard and not always immediate.” What does “relearning” mean to you? Quotes “Questioning our biases.” What does “transforming education” mean to you? Quotes “Removing biases.” “Learning from the mistakes from the past to benefit the students of the future.” This project has been generously supported by the office of EDI opportunity fund. This is a drop-in style of event and light refreshments will be provided. THE SEVEN EXHIBITIONS Men in Education Talks A podcast where teacher candidates on navigating the profession and analyzing their privileges and challenges to reduce bias.” More Info Intersection Us “A painting representing the intersectionality between our identities - and the intersectionality between our school community and teaching philosophy.” More Info Stomp, Roar, and Be Brave “A children’s storybook about a young dinosaur with a stutter, discovering the diversity in their support system and overcoming a fear of public speaking alongside peers.” More Info Divided Perceptions: Stigma Across the City “Addressing common stereotypes/stigmas between the 4 quadrants of Calgary. Making viewers aware of their own biases and finding ways to challenge them.” More Info Interactive Classroom: Pieces of a Puzzle “An art piece to show what our future classrooms will look like.” Cancelled “An investigation game where players decide if someone deserves cancellation or redemption based on evidence.” More Info Privilege Collage “What does privilege mean to you?” Special Thanks Thank you to Chromatic Theatre for their web support and use of website! Thank you to the Office of Equity, Diversity, and Inclusion, Faculty of Health, Community and Education, the Mokakiiks Centre for SoTL, and the Department of Education at Mount Royal University.

Cancelled (Interactive Game) Exhibition Info Exhibition by: Format: Interactive Game Content: This is a drop-in exhibit. Audience members will be invited to play an interactive mystery game surrounding the topic of cancel culture. Teacher candidates will be facilitating the game and assisting the audience throughout the exhibit. See also: Getting to the space See also: Parking Info for MRU

2023 Client: Breech Year: 2023 This is placeholder text. To change this content, double-click on the element and click Change Content. To manage all your collections, click on the Content Manager button in the Add panel on the left. Previous Next

Stomp, Roar, and Be Brave (Children's Book) Exhibition Info Exhibition by: Format: Children's Book Content: This is a timed presentation. Reading 1: 4:50pm - 5:10pm Reading 2: 5:30pm - 5:50pm Teacher candidates will be performing a live reading of their children's book followed by a short Q&A period. See also: Getting to the space See also: Parking Info for MRU

We're Hiring Title Join Chromatic Theatre in interpreting the narrative that the data reveals about cultural/ethnic diversity in Calgary's professional theatre productions. Be part of YYCTheatreStats' mission to drive positive change through data-driven insights! Apply today. As a Statistician, you will play a crucial role in analyzing and visualizing data collected from 2018 to 2023. Working collaboratively with the Associate Producer and Communication and Marketing Associate, you will explore research questions, suggest analytical approaches, and provide expert knowledge synthesis. Your insights will drive discussions during the Racialized Theatre Community Caucus, shedding light on the impact of these statistics on the Calgary theatre community. Download Job Call Key Responsibilities: Analyze and visualize representations of data Collaborate on data curation for events Evaluate existing data for gaps and propose potential areas for further research Provide statistical expertise and guidance on methodology Research Questions: What story is the data telling us about cultural/ethnic diversity in Calgary's professional theatre productions? What information is absent from the data that may provide additional insights? What potential gaps or limitations exist in our current methodology? Qualifications: Experience in data analysis Currently pursuing or have attained a Bachelor's degree, preferably in a field related to statistics or a relevant quantitative discipline Knowledge of and interest in the arts sector/theatre (an asset) Contract Details: Maximum of 54 hours for the entirety of the contract Hourly rate: $37/hour Priority will be given to racialized artists. Application Deadline: October 2, 2023 or until position is filled. Interviews will begin the following week. Chromatic Theatre is committed to providing an inclusive and accessible recruitment process. Please reach out via email to rebecca@chromatictheatre.ca should you require any accommodations or have specific accessibility needs during the application or interview process. Interested candidates should submit their resume, along with a brief statement of interest to Rebecca Comer Application Deadline is October 10 , 2023 or until the position is filled. Interviews will begin the following week. Rebecca@chromatictheatre.ca

Maezy Reign Markerting and Communications Maezy Reign (they/she) is a biracial multidisciplinary artist, born and raised in Calgary. They work as a playwright, lighting designer and occasional actor. They are determined to create art that has the representation she never saw growing up, like mentally ill, gender diverse, queer, and racialized main characters. Both my parents are theatre artists and entrepreneurs so I've been raised in a very artsy family. Maezy is a mixed-race black artist. Maezy's paternal grandmother grew up in St. Vincent in the Caribbean and immigrated to Canada in the 70's. Performance and Creative Credits include; Gaslight (Vertigo), The F Word (Downstage and ATP) Shark Bite (Lunchbox Theatre), Hay Coloured Houses (Paprika Festival), Sir Gawain and the Green Knight (Alchemy Festival), Hang In There (Chromatic PLU), This isn’t home (fear the festival), Psychotic Bitch (Ignite Festival), Revolution or Slumber (WCHS with HPR), Donut Diaries (Ignite Festival) Contact

Greater Forest Lawn Playwrights Lab 2015 Featuring: Female Robbery by Jessica Del Fierro Dramaturgy by Caroline Russell-King Timmy, Tommy & the Haunted Hotel by Ali DeRegt and Kathryn Smith Dramaturgy by Alyssa Bradac Blind Pass by Hayley Feigs Dramaturgy by Zachary Moull Absurdable Universe by Kyle Hinton Dramaturgy by Neil Fleming Parched by Jennifer Roberts Dramaturgy by Jenna Rodgers Technology Trade-off by Phyllis Wheaton Dramaturgy by Trevor Rueger Featuring talented performers from across the city: Josh Bertwistle, Michelle Brandenburg, Alex Cherovsky, Filsan Dualeh, Devon Dubnyk, Chelsea Dwarika, Deborah Ferguson, Rodrigo Flores, Natalie Gauthier, Mike Griffin, Alan Johnson, Duane Jones, Alvan Le, Kelly Malcolm, Andrew Merrigan, Dan Perry, Ryan Reese, Holleay Rohm, Lara Schmitz, Makambe Simamba, Ayla Stephen, Liam Volke, Alicia Ward, Justine Westby, Sarah Wheeldon, and Greg Wilson The Greater Forest Lawn Playwrights Lab is a development opportunity supported by CADA for emerging playwrights representing the plethora of diverse communities that exist in Calgary. The Lab will be a safe creative space for writers to explore their ideas and grow their talent – in full colour. The Lab will be led by Jenna Rodgers, a local Director/Dramaturg, who will work with a group of up to five emerging playwrights, each developing their first draft of a play. “Emerging” refers to individual career status, and playwrights of any age are welcome to apply. Playwrights will not be restricted to writing about issues of diversity, but will be encouraged to use their work to explore issues that challenge them. This program will take place over the course of six months, spanning Oct 2014 – March 2015. Selected playwrights will meet twice monthly for the program’s duration. Meetings will take place in Forest Lawn, and will be tailored to support the group of artists that have been assembled. In the final month of the Lab, playwrights will be paired with a mentor in a professional director/dramaturg. You will be given 12 hours of professional development time and a cast of non-equity actors. The GFL Playwrights Lab will culminate with a public presentation to showcase the Playwrights’ work to their friends, family, and the greater Calgary arts community. Back to Past Projects Listen Now! Digital Program

Want to support Chromatic Theatre? We are a not-for-profit organization, but do not have federal charitable status. As a result, we cannot issue tax receipts. If you still wish to make a donation, we can accept Canadian e-mail money transfers at theatrechromatic@gmail.com . THANK YOU!! Donate: About Us

Jenna Rodgers Founding Artistic Director Jenna is a mixed-race Director and Dramaturg based in Calgary, on Treaty 7 Territory. Jenna is the founding Artistic Director of Chromatic Theatre – a company dedicated to producing and developing work by and for artists of colour. Jenna is also the Dramaturg for the Playwrights Lab at the Banff Centre for Arts and Creativity. A passionate arts equity advocate, she is a graduate of the NTS Artistic Leadership Residency, the Banff Centre’s Cultural Leadership program, and the artEquity National Facilitator Training cohort. She holds an MA in International Performance Research from the universities of Amsterdam and Tampere. Recent Directing credits include Mary’s Wedding at the Citadel Theatre, Actually at Alberta Theatre Projects, and Sherlock Holmes and the Raven’s Curse at Vertigo Theatre; For Chromatic Theatre (我的名是张欣恩 (Gimme Chance Leh), Winners and Losers, Cowboy Versus Samurai); fu-GEN Theatre (Mixie and the Halfbreeds); Workshop West Theatre (Beyond the Darkness); Pape and Taper Theatre (Timmy, Tommy, and the Haunted Hotel);and Lunchbox Theatre (Let the Light of Day Through).She was selected as part of the 2020 Michael Langham Directors Conservatory at the Stratford Festival. Contact

Rebecca Comer Acting Associate Producer Rebecca Comer (she/her) is a theatre creator, performer, and educator. She holds a master’s degree in Theatre Studies from the University of Calgary’s School of Creative and Performing Arts. Her artistic practice includes playwriting, performance creation, and acting. Her focus is on creating work for Black audiences, often exploring vulnerability through autobiographical storytelling. Contact

Jordan Baylon General Director Jordan (they/she/he) is a second generation PilipinX artist, critic and community worker imagining justice and abundance for equity-deserving peoples within the spaces of all our relations, personal, communal and societal. With a decade of experience serving in the non-profit arts sector in Mohkinstsis (Calgary), Jordan advocates a collective, grassroots approach to dismantling and rebuilding organizational structures, processes and ideologies with values of anti-racism and social justice. Jordan is a proud associate of CommunityWise’s Anti-Racist Organizational Change program, and co-authoried RE-Tool, a handbook on equity-driven grantmaking as part of Equity in the Panel Room working group. As an artist, Jordan’s work gnaws at the intersection of queer identity, race, colonialism, food, ritual and the deep dark places that represent our possibilities for pleasure and liberation. Contact

Kisapmata By Bianca Miranda January 30 - February 18, 2024 The Tagalog word “kisapmata” means “blink of an eye.” It’s also the title of a punk banger by Filipino band, Rivermaya. Inspired by this song, this new Canadian play tells the love story of two Filipino women—one living here in Canada and the other, born and raised in the Philippines. Through intimate vignettes, we see the longing, the diving in, and eventually, the letting go. Photos by Benjamin Laird We are proud to present the world premiere of this unique queer love story by Calgary playwright Bianca Miranda at Chromatic, with direction by Gina Puntil, co-produced by Lunchbox Theatre and presented as part of One Yellow Rabbit’s High Performance Rodeo. Kisapmata has been in development since 2021, when it was part of our IBPOC Playwrights Unit, and it was featured in both the Stage One Festival of New Canadian Work and Stage Two at Lunchbox Theatre in 2022. Playwright Bianca Miranda also recently premiered The F-Word, co-written and performed with Keshia Cheesman, in a Downstage Production at Alberta Theatre Projects, which was nominated for "Outstanding New Play" at the Betty Mitchell Awards. Directed by Gina Puntil Co-Production with Lunchbox Theatre and presented by One Yellow Rabbit as part of the 38th Annual High Performance Rodeo . Poster Artwork by Maezy Reign CAST AND CREW Michelle Diaz • A Isabella Pedersen • B Gina Puntil • Director Kodie Rollan • Assistant Director & Dramaturg Thomas Geddes • Video & Projection Design Cassie Holmes • Set & Costume Design Gladzy Kei • Grapic Designer Kp Smith • Lx Design Sallie Mae Salcedo • Sound Design Jennifer Yeung • Stage Manager Rebecca Orion • Apprentice Stage Manager Bianca Miranda • Playwright ADDITIONAL INFORMATION Program Local Vendors